A C K W E T

Travel/Music/Writing

--Seven Reveries--

team-bear-arms:

VERSACE
VERSACE VERSACE
MEDUSA HEAD ON MY LIKE ILLUMINATI

(Source: lolgifs.net, via jamming-in-traffic)

undone-music:

Amon Tobin - Bedtime Stories (Austin Peralta Reinterpretation)

Amazing piece from jazz pianist and Brainfeeder artist Austin Peralta. He passed away yesterday at age 22.

lainnafader:

A beautiful piece about my friend (& incredible jazz musician) Austin Peralta, who passed away recently



"You are talking about a kid who was only 22," says Brainfeeder’s chief, venerated producer Flying Lotus. "I remember being 22. I mean, I don’t feel like I had that much to say. He has a lifetime of character in his music at 22. So who knows what he would have sounded like after he had his heart broken, or lost a loved one himself — going through a darker place within yourself and coming out of it with a different sound."
"He never had the opportunity to do that, but he also never had the opportunity to turn into an old man and nobody gives a fuck what you are doing. He got to go out being like all these people he looked up to. What the fuck — you got to leave like a fucking legend, Austin. I’m too old already to leave like a legend. He got to go out like Bird. He got to really go for it."

lainnafader:

A beautiful piece about my friend (& incredible jazz musician) Austin Peralta, who passed away recently

"You are talking about a kid who was only 22," says Brainfeeder’s chief, venerated producer Flying Lotus. "I remember being 22. I mean, I don’t feel like I had that much to say. He has a lifetime of character in his music at 22. So who knows what he would have sounded like after he had his heart broken, or lost a loved one himself — going through a darker place within yourself and coming out of it with a different sound."

"He never had the opportunity to do that, but he also never had the opportunity to turn into an old man and nobody gives a fuck what you are doing. He got to go out being like all these people he looked up to. What the fuck — you got to leave like a fucking legend, Austin. I’m too old already to leave like a legend. He got to go out like Bird. He got to really go for it."

foxbeneaththewillow:

aboutmidi:

die-schoene-bloggerin:

A fugue built on Miley Cyrus’s “Wrecking Ball.”

You’re welcome.

Wow, I have never heard this Wrecking Ball song before. Sorry I am not a big fan of pop music. So I after listening to this I had to listen the original. Who ever wrote this arrangement, did a great work.

This is fucking brilliant.

(via hothotnewmusicfever)

fragilelifewithlittleregret:

How cute is cadehm? ^_^
Very.

Mr. Me
Amplyfi
7/20/2014

Mr. Me is the shit. 

ifuckinglovestvincent:

By Maxime Chanet

(via fruitfly2000)

sixpenceee:

The artist behind this is Arthur Tress. 

MORE INFO

COMMON NIGHTMARES & THEIR MEANINGS

(via theendis-nigh)

“The iPod, like the Walkman cassette player before it, allows us to listen to our music wherever we want. Previously, recording technology had unlinked music from the concert hall, the café, and the saloon, but now music can always be carried with us. Michael Bull, who has written frequently about the impact of the Walkman and the iPod, points out that we often use devices to ‘aestheticize urban space.’ We carry our own soundtrack with us wherever we go, and the world around us is overlaid with our music. Our whole life becomes a movie, and we can alter the score for it over and over again: one minute it’s a tragedy, and the next it’s an action film. Energetic, dreamy, or ominous and dark: everyone has their own private movie going on in their heads, and no two are the same….Theodor Adorno… called this situation ‘accompanied solitude,’ a situation where we might be alone, but we have the ability via music to create the illusion that we are not.”

—   from How Music Works, by David Byrne (via girlfromtralfamadore)

(via wibnutler)